"Given that we can live only a small part of what there is in us - what happens with the rest?"

Quote by Pascal Mercier

My mask making began with a visit to the Alice Atelier, Florence Italy, where I met Professor Agostino Dessi and daughter Alice and learned how to make a mask the traditional Italian way. “These are story containers” Agostino explains, “Stories are delicate, it’s best to store them in places that suit them. The stories a person can give to the world are precious”. Visit the Alice Atelier at http://www.alicemasks.com/

“Masks are made to liberate people’s hearts and minds” Agostino Dessi.

Friday, July 25, 2008

TinkerBelle

Since a young 14-year-old member of our family left his bag of skin and bones behind...i have been making lots of winged mask characters. I have made five butterfly mask compositions (one more to go), and this...the first in a TinkerBelle Series.

Sunday, June 22, 2008

Dunedin Midwinter Carnival '08




It is Winter Solstice here in Dunedin and time to celebrate the shortest day/longest night with our annual Midwinter Carnival where hundreds of lantern-bearers, young and old, take to the streets with hand crafted, candlelit paper lanterns. This year's theme was New Zealand birds so huge papery tuis, albatross, fantail, owls featured in the pagaent. Seven masked dancers looked enchanting with their whitened hair, faces and "winter sprite masks". An extravagant fireworks show sent sparks raining down on the rapt crowd and the paper firebird lanterns. Conditions couldn't have been better with the weather mild and the night crisp, clear and windless, quite a contrast to last year when the event had to be cancelled due to a wild snowstorm. Note: The figure in the white mask holding the Owl Lantern is moi!!

Wednesday, May 21, 2008

Ochre Eyes: Pamela Croft Response Exhibition Australia


Typically the Aboriginal artist adopts a viewpoint which elevates the mind’s eye to a broader panoramic view - a bird’s eye view approach called “spirit perspective”. Such an aerial view involves a marvelous look; a look that does not take but receives in the mansion of the mind…the only sustainable viewpoint.

In response to Dr. Pamela Croft’s textured visual narrative workshop at TAFTA, Brisbane, June 2007, this artwork features two masks. The two masks are about differing perspectives or viewpoints (both ways of seeing). The “ochre eyes” mask represents the indigenous “spirit perspective”, while the white “exploded”* mask represents the disintegrating power of the white (Western) gaze.

*The white mask ‘exploded’ during its hot pressed paper moulding process and so, rather than discard it because of its imperfection, I used it as it was. The words "Finally, like broken eggshell, the face of white mischief cracks...and falls away" were later added around the rim.

After a lifetime of looking at things solely through a white Western perspective your eyes get lost. Making this textured visual narrative was an eye-quest to find my way home. This 12 x 12 Composition in Mask is created from two Multimasks (premoulded recycled paper base masks), ethically-sourced Australian ochre, shoe polish, acrylic paints, recycled sari silk, stretched canvas frame, ripped brochure “Broken Links: the Stolen Generations in Queensland” decoupage.

Sunday, February 3, 2008

Rose Monday

Rose Monday 4th February '08 (which precedes Shrove Tuesday) is marked by huge masked parades in the cities of Cologne, Dusseldorf and Mainz when these carnival centres are crowded with visitors. Musicians in costume, dance troupes, huge floats manifesting political satire, jesters, false noses, confetti, fancy hats, dress-ups and rose-throwing mean it must be Rose Monday in Germany.

Rose Monday festivities began in the early 19th century and have become an annual fixture. Rose Monday is the highlight of the carnival period - sometimes called "the fifth season" - which began its preparations on the 11th November '07 right up until Ash Wednesday (6th February '08) on which day Lent begins and lasts until Easter.

Sunday, January 27, 2008

Masking for Clarity

To see Masking for Clarity: working with Multimask, found objects and light - view http://www.photoblog.com/showoffs/2008/01/27/

This collection of my latest "signature compositions" emphasizes the portrayal of authentic (rings true) visual narrative through the mediums of mask and digital photography.

By "sitting in the masks" as i work, i find creative ways of exploring the conventions of masks and ways of challenging attitudes and ideas about them.

Monday, January 14, 2008

The best art comes from inside out


These are mask making students in Chicago. This picture was sent by Jeff Semmerling, a professional artist and art educator who is currently involved in the 2008 season of the New Orleans Mardi Gras. Jeff first arrived in New Orleans in 1981 and after becoming immersed in the carnival experience was spellbound by the ability of masks to allow people to express their eagerness to live.

Here is a snippet from an article about this extraordinary mask maker written by Kaity Nicastri:
"On the corner of Montrose and Damen, there is an understated storefront with the white sign above it proclaiming it "The Inside Out Art Studio: Serious Fun for Artists of All Ages". Inside this shop is a treasure trove of hand made masks and puppets created by an artist named Jeff Semmerling and his partner Sonja Schaefer. With training from the best mask-makers in New Orleans, Jeff has brought his passion for the masking experience back to his native Chicago. "When wearing a mask, it's not you; but yet it is you! That's the magic!" says Semmerling." http://www.insideoutarts.us/

Saturday, January 12, 2008

"Senor Taco Salsa" (about Mardi Gras)


Mardi Gras is celebrated around the world but no one, it is said, does it like New Orleans. Twelfth Night (after Christmas), or January 6th, is when the New Orleans Mardi Gras month-long season begins - and continues until the midnight of Fat Tuesday, 5th February. Fat Tuesday is always the day before Ash Wednesday, and the day after the lesser known Rose Monday.
Mardi Gras parades have been staged in New Orleans since the 1837 (as evidenced by a first newspaper account describing masqueraders "in such grotesque and outlandish habiliments") and in 1857 the modern incarnation of Mardi Gras took shape with the founding of the first Krewe, a kind of official parading organisation. Today there are hundreds of Mardi Gras clubs that continue to conduct elaborate, colourful, outrageous political cabaret throughout the streets of New Orleans.
Katrina Gras - In 2005, after the devastation of Hurricane Katrina, the city opted to uphold its Mardi Gras tradition. Some people objected, but for others it was deemed a "therapeutic antidote" for what was perceived as a woefully inadequate government response to the disaster. Participants reportedly wore blue biohazard suits and blue tarps, and went about portraying blind people while wearing T-shirts that read "Levee Inspector".
For movie and more info check out http://www.mardigrasunmasked.com/

('Senior Taco Salsa' is a scarecrow found at the Lawrence Arts Festival, January '08, New Zealand.)