"Given that we can live only a small part of what there is in us - what happens with the rest?"

Quote by Pascal Mercier

My mask making began with a visit to the Alice Atelier, Florence Italy, where I met Professor Agostino Dessi and daughter Alice and learned how to make a mask the traditional Italian way. “These are story containers” Agostino explains, “Stories are delicate, it’s best to store them in places that suit them. The stories a person can give to the world are precious”. Visit the Alice Atelier at http://www.alicemasks.com/

“Masks are made to liberate people’s hearts and minds” Agostino Dessi.

Saturday, September 29, 2007

Don't Shoot the Clowns (a book)


I have been reading ‘Don’t Shoot the Clowns’ a story by Jo Wilding, written originally as a weblog. It is the story of Circus2Iraq, a small band of intrepid performers who take ‘clowning around’ to the Iraqi children, kids who have forgotten how to be young and silly.
http://www.circus2iraq.org/

Iraq is not a happy place (since the World Trade Centre sequence of events) and the children there are miserable. If given a crayon they will draw bombers and combat scenes. At play they will enact hostage scenarios as if they cannot imagine anything else. Jo Wilding and friends turn on the circus tricks; blowing bubbles, stilt walking, pulling funny faces, juggling, and a brightly coloured parachute (I imagine the sort used here in kindergartens) for bouncing and hiding under, to engage the war-worried children and put sparkle in their eyes and a smile on their dial.

This is a story of what you can do with little money, improvisation and guts. Incidentally Jo Wilding, the clown, is not a ‘flakey’ artist, she is a lawyer.

‘Don’t Shoot the Clowns’ is also a story of modern barbarism, so if you can’t stomach a large serving of bloodied body parts, don’t read this book. I found my copy at the Dunedin Trade Aid store. It is not a generic bookshop read.

To make 'Funny Face' compositions like those illustrated above you will need ice cream cones, gently cut to the length you want (by nibbling with curved tip scissors), stuck onto the Multimask with a hot melt glue gun, sealed with a coat of white gesso, dried quickly, and painted in bright colours. The hair was made by threading funky knitting yarn (from Spotlight) through small holes made with a hole punch.

Thursday, September 20, 2007

Losing the plot in order to find it


This is a ROSEMASK creation. As you can see it is in pieces, a jigsaw composition on the edge of the definition of a mask (when assembled it is a classic face shape).

Sometimes you have to lose the plot in order to find it, as was the case with figuring out the Multimask concept. It has been One Big Puzzle involving challenging the-way-things-are-usually-done (tradition). A roller coaster ride.
But now that the experimental stuff is nearly done, this weblog is dedicated to stories about masks and new recipes for making masks…


To make this ‘puzzling’ composition you will need:
Cutting:
Two Ultra Multimasks (one for support), scissors and sandpaper, draw jigsaw puzzle shapes on top of first base mask and cut out, sand until smooth.
Painting:
Fas or Jo Sonja’s Gesso primer/sealer, white
Krylon 18kt. Gold Plate spray paint (or equivalent)*
FolkArt Metallic Pure Gold acrylic paint
Good quality paintbrush (eg. Francheville Taklon)
*Substitute colours and tones as you wish.
Decoupage:
One sheet scrapbook paper (design of your choice)
Holdfast paste (or glue stick)
Varnishing:
Plaid Royal Coat ‘antique’ Decoupage Finish
Finishing touches:
Dried flower petals and/or small red rose decals (transfers)
Fabric trim, braid or lace
Spray sticky adhesive

The Ultra Multimask

Only a little different from the original Multimask, the Ultra Multi has calcium carbonate fillers incorporated into the recycled paper pulp to make a denser, whiter, neutral mask that looks and feels like fine stationery.

Calcium carbonate is the same natural material that bones, sea shells and coral reefs are made of. This makes the Ultra Multimask the most ‘natural’ skeletal-type structure you can get your hands on for making mask stories.